Over the course of his career, Rovere has contemplated numerous artistic disciplines, including installation, video art, experimental film, photography and graphic arts. And as early as the 70’s, digital techniques also became one of his focuses.
Equally indifferent to trends as to prescriptions, Rovere’s practice has been from time to time conventional as well as at times on the fringe of established standards, as reflected by his experimentations, his non-compliant methods, his appetency for mixed processes.
His current approach flows from the desire for a return to the essence and the timelessness. Without renouncing to a certain experimental research, he moves away from the often rather conceptual approach of his first period. Far from a craze for the decay (which seeks for a self-justification in an alleged parity between the hideous and the sublime), he tries to reveal the original beauty through what transcends the visible.
|Installations||Photographic plastic arts||Digital drawings||Video Art||Cinegraphy|